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Francine K. Affourtit

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  Traveling Suitcase Installation Project on Stage at Teatro Marinoni   Woodcut print on Masa paper  Unfolded Dimensions: 129 inches x 129 inches, 2015  The Traveling Suitcase Installation Project is a large-scale print work that folds into a suitcas

Traveling Suitcase Installation Project on Stage at Teatro Marinoni

Woodcut print on Masa paper

Unfolded Dimensions: 129 inches x 129 inches, 2015

The Traveling Suitcase Installation Project is a large-scale print work that folds into a suitcase and reanimates into a sculptural installation. Designed to be mutable, the shape-shifting installation takes on variable configurations, thereby allowing the piece to take a new form each time it is displayed. But the real magic happened as the piece traveled across Europe engaging with new art communities and spaces.

  Traveling Suitcase Installation Project at WerkStadt Berlin   Woodcut print on Masa paper  Unfolded Dimensions: 129 inches x 129 inches, 2015  In this image Frida looks up at the first configuration of the installation at WerkStadt gallery. WerkSta

Traveling Suitcase Installation Project at WerkStadt Berlin

Woodcut print on Masa paper

Unfolded Dimensions: 129 inches x 129 inches, 2015

In this image Frida looks up at the first configuration of the installation at WerkStadt gallery. WerkStadt is an artist collective, union, gallery and meeting space in Neukoln, Berlin.

  TSIP with Collective Magpie    Woodcut Print on Masa paper; inflatable atelier   Installation dimensions variable, 2015   Collaborating with the artist duo Collective Magpie, the Traveling Suitcase Installation Project was exhibited inside of an in

TSIP with Collective Magpie

Woodcut Print on Masa paper; inflatable atelier

Installation dimensions variable, 2015

Collaborating with the artist duo Collective Magpie, the Traveling Suitcase Installation Project was exhibited inside of an inflatable domed pavilion titled Nomadic Atelier, at Bauhaus-Universität in Weimar. This project collaboration was exhibited in tandem with the course Performance of the Pavilion, led by Collective Magpie at Bauhaus-Universität Summer School.

  Palast  (after Tacita Dean   for Lorraine)    Woodcut Print on Masa paper  Four pieces 20’8” x 43” each, 2013  Installation views of Atrium Gallery at Tyler School of Art. This piece is a visual translation of an essay written by my sister Lor

Palast (after Tacita Dean for Lorraine)

Woodcut Print on Masa paper

Four pieces 20’8” x 43” each, 2013

Installation views of Atrium Gallery at Tyler School of Art. This piece is a visual translation of an essay written by my sister Lorraine Affourtit while in pursuit of her doctorate of at UC Santa Cruz. Lorraine's reading of Deleuze through Tacita Dean's Berlin Works in order to elucidate expanded concepts of temporality and the Crystal Image, formed the textual scaffolding for the work.

  Palast  (after Tacita Dean for Lorraine) -  detail view   Woodcut Print on Masa paper  Four pieces 20’8” x 43” each, 2013

Palast (after Tacita Dean for Lorraine) - detail view

Woodcut Print on Masa paper

Four pieces 20’8” x 43” each, 2013

  Fagiano - Test Installations with Biennale Urbana   Relief print on Masa (double sided)   Unfolded Dimensions: 168 inches x 84 inches, 2017  Installed in relationship to the architecture of an abandoned military structure on an island in the Veneti

Fagiano - Test Installations with Biennale Urbana

Relief print on Masa (double sided)

Unfolded Dimensions: 168 inches x 84 inches, 2017

Installed in relationship to the architecture of an abandoned military structure on an island in the Venetian lagoon, as part of the residency with Biennale Urbana in Venice Italy. From this side you can see the muted color of the printed imagery seeping through the pencil rubbing where the light hits the other side of the piece.

  Fagiano - Installation detail   Relief print on Masa (double sided)   Unfolded Dimensions: 168 inches x 84 inches, 2017  Installation at Caserma Pepe as part of the residency “Eye of the Beholder.” From this side the saturated color of the woodbloc

Fagiano - Installation detail

Relief print on Masa (double sided)

Unfolded Dimensions: 168 inches x 84 inches, 2017

Installation at Caserma Pepe as part of the residency “Eye of the Beholder.” From this side the saturated color of the woodblock prints is most visible.

  Fagiano - detail view   Relief print on Masa (double sided)   Unfolded Dimensions: 168 inches x 84 inches, 2017

Fagiano - detail view

Relief print on Masa (double sided)

Unfolded Dimensions: 168 inches x 84 inches, 2017

  Prelude in Echo ,  In collaboration with Heather Rikic   Woodcut print on Masa as performance partner    Print dimensions: 43 x 96 inches, 2019    Still from performance at Galerija Polet, Belgrade Serbia. Prelude in Echo is a mutable improvisation

Prelude in Echo, In collaboration with Heather Rikic

Woodcut print on Masa as performance partner

Print dimensions: 43 x 96 inches, 2019

Still from performance at Galerija Polet, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.

  Prelude in Echo, In collaboration with Heather Rikic   Woodcut print on Masa as performance partner    Print dimensions: 43 x 96 inches, 2019    Stills from performance at Magacin Cultural Center, Belgrade Serbia. Prelude in Echo is a mutable impro

Prelude in Echo, In collaboration with Heather Rikic

Woodcut print on Masa as performance partner

Print dimensions: 43 x 96 inches, 2019

Stills from performance at Magacin Cultural Center, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.

  Cliff Form Tests    Drypoint and Monotype on Fabriano   7 x 5 inches each, 2016    Part of a series of works produced during a residency at Hospitalfield in Arbroath Scotland.

Cliff Form Tests

Drypoint and Monotype on Fabriano

7 x 5 inches each, 2016

Part of a series of works produced during a residency at Hospitalfield in Arbroath Scotland.

  Notations II   Woodcut prints collaged on board  10 x 8 x 1 inches each, 2014  These works are notations for expanded research into building both physical and illusionary forms with paper.

Notations II

Woodcut prints collaged on board

10 x 8 x 1 inches each, 2014

These works are notations for expanded research into building both physical and illusionary forms with paper.

  The Shrinking Umbrella of my Confidence   Woodcut prints and Letterpress on Rives BFK  8 x 8.5 x .5 inches, 2011  This artist book was produced in collaboration with the Experimental Printmaking Workshop in Easton, PA. The book contains nine origin

The Shrinking Umbrella of my Confidence

Woodcut prints and Letterpress on Rives BFK

8 x 8.5 x .5 inches, 2011

This artist book was produced in collaboration with the Experimental Printmaking Workshop in Easton, PA. The book contains nine original woodcut prints and three pages of letterpress text, including a short fiction by Lorraine J. Affourtit titled “no memory of where it began.”

  Refraction (left) and Lexical Gap (right)   Woodcut prints mounted on Canvas  2013  From an exhibition at Temple Gallery Rome titled “Dig Out the Moon.”

Refraction (left) and Lexical Gap (right)

Woodcut prints mounted on Canvas

2013

From an exhibition at Temple Gallery Rome titled “Dig Out the Moon.”

  Shelter Sculptures   Glazed Terracotta 		  4 x 4 x 4 inches, 2014    These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.

Shelter Sculptures

Glazed Terracotta

4 x 4 x 4 inches, 2014

These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.

  Shelter Sculptures   Glazed Terracotta 		  4 x 4 x 4 inches; 4 x 4 x 5 inches,2014    These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.

Shelter Sculptures

Glazed Terracotta

4 x 4 x 4 inches; 4 x 4 x 5 inches,2014

These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.

  Untitled (Industrial Arm of Oakland)    Woodcut print on Usuyo + Found Objects   Dimensions variable, 2015    Two views of an experimental installation created at the Kala Art Institute in Berkeley. The cardboard stacks of cylinders that I found in

Untitled (Industrial Arm of Oakland)

Woodcut print on Usuyo + Found Objects

Dimensions variable, 2015

Two views of an experimental installation created at the Kala Art Institute in Berkeley. The cardboard stacks of cylinders that I found in the trash are holding the 20 ft. length of printed paper to the wall. This work is part of my experiments with the structure and sculptural potentials of paper, while also considering simpler and more integral strategies for displaying/presenting works on paper.

  Totem   100 Woodcut prints mounted on canvas  Installation dimensions variable, 2013  Installation View: Kent State Galleries.   The shapes and hieroglyphs reappear like an echo, creating a cadence like pattern that resembles the arrangement o

Totem

100 Woodcut prints mounted on canvas

Installation dimensions variable, 2013

Installation View: Kent State Galleries. The shapes and hieroglyphs reappear like an echo, creating a cadence like pattern that resembles the arrangement of pictographic texts. Rendering the images in woodblocks allowed me to repeat forms while shifting details, mimicking the call and response of a poetic refrain.  

  Totem #13   Woodcut print on Masa mounted on canvas  16 x 16 x 1.5 inches, 2013  One piece from a set of 100 that make the installation  Totem . Drawing inspiration from Ojibway scholar, Basil H. Johnson’s, translation of the concept of Totem;

Totem #13

Woodcut print on Masa mounted on canvas

16 x 16 x 1.5 inches, 2013

One piece from a set of 100 that make the installation Totem. Drawing inspiration from Ojibway scholar, Basil H. Johnson’s, translation of the concept of Totem; “that form from which I draw my meaning, purpose and being,” I created a series of hieroglyphs that represent the fragments of the psyche. 

  Cusp   Color woodcut and Monoprint on Fabriano  3 feet 7 inches x 5 feet, 2011    From a series of prints developed at the Venice Printmaking Studio Residency.

Cusp

Color woodcut and Monoprint on Fabriano

3 feet 7 inches x 5 feet, 2011

From a series of prints developed at the Venice Printmaking Studio Residency.