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      <image:caption>Ceramic sculptures from the "Shelter Series"</image:caption>
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  <url>
    <loc>http://www.francinekaffourtit.com/tsip</loc>
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    <lastmod>2016-08-31</lastmod>
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  <url>
    <loc>http://www.francinekaffourtit.com/caserma-pepe</loc>
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    <lastmod>2019-01-30</lastmod>
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      <image:title>Caserma Pepe - Residency at Caserma Pepe</image:title>
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      <image:title>Caserma Pepe</image:title>
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      <image:title>Caserma Pepe</image:title>
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  </url>
  <url>
    <loc>http://www.francinekaffourtit.com/fanoon-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1492725890156-69TYH1JKH9EEUEFW0MKQ/F_Affourtit_01.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Traveling Suitcase Installation Project on Stage at Teatro Marinoni Woodcut print on Masa paper Dimensions variable, 2015 The Traveling Suitcase Installation Project is a large-scale print work that folds into a suitcase and reanimates into a sculptural installation. Designed to be mutable, the shape-shifting installation takes on variable configurations, thereby allowing the piece to take a new form each time it is displayed. But the real magic happened as the piece traveled across Europe engaging with new art communities and spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1492725890156-69TYH1JKH9EEUEFW0MKQ/F_Affourtit_01.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Traveling Suitcase Installation Project on Stage at Teatro Marinoni Woodcut print on Masa paper Unfolded Dimensions: 129 inches x 129 inches, 2015 The Traveling Suitcase Installation Project is a large-scale print work that folds into a suitcase and reanimates into a sculptural installation. Designed to be mutable, the shape-shifting installation takes on variable configurations, thereby allowing the piece to take a new form each time it is displayed. But the real magic happened as the piece traveled across Europe engaging with new art communities and spaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588431112504-T2M4GNZUX5MI1H6CKLRA/Frida%2Blooks.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Traveling Suitcase Installation Project at WerkStadt Berlin Woodcut print on Masa paper Unfolded Dimensions: 129 inches x 129 inches, 2015 In this image Frida looks up at the first configuration of the installation at WerkStadt gallery. WerkStadt is an artist collective, union, gallery and meeting space in Neukoln, Berlin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580420942199-UTZHAGDB77XBZX1ASM0Q/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>TSIP with Collective Magpie Woodcut Print on Masa paper; inflatable atelier Installation dimensions variable, 2015 Collaborating with the artist duo Collective Magpie, the Traveling Suitcase Installation Project was exhibited inside of an inflatable domed pavilion titled Nomadic Atelier, at Bauhaus-Universität in Weimar. This project collaboration was exhibited in tandem with the course Performance of the Pavilion, led by Collective Magpie at Bauhaus-Universität Summer School.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1492725912005-RBAZCHO8V3WETP68BLG9/F_Affourtit_05.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Palast (after Tacita Dean for Lorraine) Woodcut Print on Masa paper Four pieces 20’8” x 43” each, 2013 Installation views of Atrium Gallery at Tyler School of Art. This piece is a visual translation of an essay written by my sister Lorraine Affourtit while in pursuit of her doctorate of at UC Santa Cruz. Lorraine's reading of Deleuze through Tacita Dean's Berlin Works in order to elucidate expanded concepts of temporality and the Crystal Image, formed the textual scaffolding for the work.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588431707965-B2VJ1QHB6QMSMHISKXK0/F_Affourtit_06.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Palast (after Tacita Dean for Lorraine) - detail view Woodcut Print on Masa paper Four pieces 20’8” x 43” each, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588431613221-HNZ387P625XONWXTZ5L6/Fagiano%2Binstall%2Btest%2B1.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Fagiano - Test Installations with Biennale Urbana Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017 Installed in relationship to the architecture of an abandoned military structure on an island in the Venetian lagoon, as part of the residency with Biennale Urbana in Venice Italy. From this side you can see the muted color of the printed imagery seeping through the pencil rubbing where the light hits the other side of the piece.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580449441851-3FH6SCSJVR7FWXOL5112/Fagiano+at+Caserma+Pepe.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Fagiano - Installation detail Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017 Installation at Caserma Pepe as part of the residency “Eye of the Beholder.” From this side the saturated color of the woodblock prints is most visible.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588431662046-ARK0GXGJSGW27XNOWYJ7/Fagiano2.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Fagiano - detail view Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580068602219-YIXIDFR9AG0WBP8FHZUP/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Prelude in Echo, In collaboration with Heather Rikic Woodcut print on Masa as performance partner Print dimensions: 43 x 96 inches, 2019 Still from performance at Galerija Polet, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588427671941-P4PF3E7O70Y8675ZE5FN/PreludeinEcho72.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Prelude in Echo, In collaboration with Heather Rikic Woodcut print on Masa as performance partner Print dimensions: 43 x 96 inches, 2019 Stills from performance at Magacin Cultural Center, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580420913189-RPT0FGZPZ4M87QAT2YVO/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Cliff Form Tests Drypoint and Monotype on Fabriano 7 x 5 inches each, 2016 Part of a series of works produced during a residency at Hospitalfield in Arbroath Scotland.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580420880581-UIRB0A8F4OVW4NWUMML7/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Notations II Woodcut prints collaged on board 10 x 8 x 1 inches each, 2014 These works are notations for expanded research into building both physical and illusionary forms with paper.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580421114792-4FPI2WZMLGMSFMZA1TJP/The+Shrinking+Umbrella+of+my+Confidence.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>The Shrinking Umbrella of my Confidence Woodcut prints and Letterpress on Rives BFK 8 x 8.5 x .5 inches, 2011 This artist book was produced in collaboration with the Experimental Printmaking Workshop in Easton, PA. The book contains nine original woodcut prints and three pages of letterpress text, including a short fiction by Lorraine J. Affourtit titled “no memory of where it began.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588428522356-JK6QCKRSG0ZFF58GZ0HE/digoutinstal.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Refraction (left) and Lexical Gap (right) Woodcut prints mounted on Canvas 2013 From an exhibition at Temple Gallery Rome titled “Dig Out the Moon.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588428576270-Y6SCMKUO8Y58RT1GTIAC/shelter.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Shelter Sculptures Glazed Terracotta 4 x 4 x 4 inches, 2014 These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580420985582-H7QAFSIWSALPPY4A55ZN/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Shelter Sculptures Glazed Terracotta 4 x 4 x 4 inches; 4 x 4 x 5 inches,2014 These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580421031916-F5O7DZ87PYJWZUXOOGEZ/image-asset.jpeg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Untitled (Industrial Arm of Oakland) Woodcut print on Usuyo + Found Objects Dimensions variable, 2015 Two views of an experimental installation created at the Kala Art Institute in Berkeley. The cardboard stacks of cylinders that I found in the trash are holding the 20 ft. length of printed paper to the wall. This work is part of my experiments with the structure and sculptural potentials of paper, while also considering simpler and more integral strategies for displaying/presenting works on paper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1492725917577-JWT7VIAGADT0ICD80UB1/F_Affourtit_07.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Totem 100 Woodcut prints mounted on canvas Installation dimensions variable, 2013 Installation View: Kent State Galleries. The shapes and hieroglyphs reappear like an echo, creating a cadence like pattern that resembles the arrangement of pictographic texts. Rendering the images in woodblocks allowed me to repeat forms while shifting details, mimicking the call and response of a poetic refrain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1492725915131-3LI7OV3UONNRZTR9RXPD/F_Affourtit_08.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Totem #13 Woodcut print on Masa mounted on canvas 16 x 16 x 1.5 inches, 2013 One piece from a set of 100 that make the installation Totem. Drawing inspiration from Ojibway scholar, Basil H. Johnson’s, translation of the concept of Totem; “that form from which I draw my meaning, purpose and being,” I created a series of hieroglyphs that represent the fragments of the psyche.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580446135963-5KBDSU3T6J7QWN017419/Cusp.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Cusp Color woodcut and Monoprint on Fabriano 3 feet 7 inches x 5 feet, 2011 From a series of prints developed at the Venice Printmaking Studio Residency.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1580446978328-7DHHCASROV6VZ681RZJK/Fagiano7.jpg</image:loc>
      <image:title>Fanoon Gallery</image:title>
      <image:caption>Fagiano Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017 Installed in relationship to the architecture of an abandoned military structure on an island in the Venetian lagoon, as part of the residency with Biennale Urbana in Venice Italy. From this side you can see the muted color of the printed imagery seeping through the pencil rubbing where the light hits the other side of the piece.</image:caption>
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    <image:image>
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      <image:title>Fanoon Gallery</image:title>
      <image:caption>Form Sketch Screenprint on Rives BFK 11 x 14 inches, 2016 Created for the "Super Saturated" Exhibition at Flatbed Press in Austin, Texas.</image:caption>
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      <image:title>Fanoon Gallery</image:title>
      <image:caption>Prelude in Echo, In collaboration with Heather Rikic Woodcut print on Masa as performance partner Print dimensions: 43 x 96 inches, 2019 Still from performance at Magacin Cultural Center, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.</image:caption>
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      <image:title>Fanoon Gallery</image:title>
      <image:caption>Traveling Suitcase Installation Project in Stairwell at Teatro Marinoni Woodcut print on Masa paper Unfolded Dimensions: 129 inches x 129 inches, 2015</image:caption>
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  <url>
    <loc>http://www.francinekaffourtit.com/home-gallery</loc>
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      <image:title>home gallery</image:title>
      <image:caption>Fagiano - Test Installations with Biennale Urbana Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017 Installed in relationship to the architecture of an abandoned military structure on an island in the Venetian lagoon, as part of the residency with Biennale Urbana in Venice Italy. From this side you can see the muted color of the printed imagery seeping through the pencil rubbing where the light hits the other side of the piece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588431613221-HNZ387P625XONWXTZ5L6/Fagiano%2Binstall%2Btest%2B1.jpg</image:loc>
      <image:title>home gallery</image:title>
      <image:caption>Fagiano - Test Installations with Biennale Urbana Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017 Installed in relationship to the architecture of an abandoned military structure on an island in the Venetian lagoon, as part of the residency with Biennale Urbana in Venice Italy. From this side you can see the muted color of the printed imagery seeping through the pencil rubbing where the light hits the other side of the piece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1588427671941-P4PF3E7O70Y8675ZE5FN/PreludeinEcho72.jpg</image:loc>
      <image:title>home gallery</image:title>
      <image:caption>Prelude in Echo, In collaboration with Heather Rikic Woodcut print on Masa as performance partner Print dimensions: 43 x 96 inches, 2019 Stills from performance at Magacin Cultural Center, Belgrade Serbia. Prelude in Echo is a mutable improvisational duet with dancer/choreographer Heather Rikic and a large-scale sculptural woodcut print. Original score composed by Damjan Jovicin.</image:caption>
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      <image:caption>Fagiano - detail view Relief print on Masa (double sided) Unfolded Dimensions: 168 inches x 84 inches, 2017</image:caption>
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      <image:title>home gallery</image:title>
      <image:caption>Palast (after Tacita Dean, for Lorraine) Woodcut Print on Masa paper Four pieces 20’8” x 43” each, 2013 Installation views of Atrium Gallery at Tyler School of Art. This piece is a visual translation of an essay written by my sister Lorraine Affourtit while in pursuit of her doctorate of at UC Santa Cruz. Lorraine's reading of Deleuze through Tacita Dean's Berlin Works in order to elucidate expanded concepts of temporality and the Crystal Image, formed the textual scaffolding for the work.</image:caption>
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      <image:title>home gallery</image:title>
      <image:caption>Totem #13 Woodcut print on Masa mounted on canvas 16 x 16 x 1.5 inches, 2013 One piece from a set of 100 that make the installation Totem. Drawing inspiration from Ojibway scholar, Basil H. Johnson’s, translation of the concept of Totem; “that form from which I draw my meaning, purpose and being,” I created a series of hieroglyphs that represent the fragments of the psyche.</image:caption>
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      <image:title>home gallery</image:title>
      <image:caption>Totem 100 Woodcut prints mounted on canvas Installation dimensions variable, 2013 Installation View: Kent State Galleries. The shapes and hieroglyphs reappear like an echo, creating a cadence like pattern that resembles the arrangement of pictographic texts. Rendering the images in woodblocks allowed me to repeat forms while shifting details, mimicking the call and response of a poetic refrain.</image:caption>
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      <image:title>home gallery</image:title>
      <image:caption>Shelter Sculptures Glazed Terracotta 4 x 4 x 4 inches, 2014 These sculptures are part of a series of ceramic works composed of woodcarvings "printed" in clay.</image:caption>
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      <image:title>home gallery</image:title>
      <image:caption>Traveling Suitcase Installation Project at Teatro Marinoni, Venice Woodcut print on Masa paper Dimensions variable, 2015 Two views of the installation in the former director’s office at Teatro Marinoni Bene Commune, a multi-use cultural space on the island of Lido in Venice.</image:caption>
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    <lastmod>2022-06-03</lastmod>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1659971996475-BE6HX4YUK9QXFG600YDZ/affourtit_francine08.jpg</image:loc>
      <image:title>WombHole</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/1659972010726-7EDET0UQ9K25MSLSUFZS/affourtit_francine10.jpg</image:loc>
      <image:title>WombHole</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54f8f45ae4b0bf71d220f545/c8255f19-0fa8-45b3-a68f-aef81d32cd7e/Womb+Hole+land.jpg</image:loc>
      <image:title>WombHole - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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